"Sleep Elevations," the series that made her name, has Flore (usually her own subject) floating through spare pastel rooms among everyday objects gone slightly wrong. Nothing announces the trick; the images simply decline to obey gravity.

"Situations" follows a young girl in a red costume through landscapes that do not explain themselves. The subject is freedom, and how much of it an environment will actually allow.

"Rememories" (2015) won the HSBC Prize. It trades plain reality for metaphor: her red hair and pale skin worked into the surroundings until figure and space stop being separate things.

"Voyage Fantastique," commissioned by Atout France, let her loose on the national heritage. Castles, museums and landscapes become stages for small absurdities: the monuments hold still, and she does not.

The recent work drops digital manipulation for choreographed performance. In "By the Sea" and "Scenes from the Sun," what happens in front of the camera is what happened, and the landscape is a character rather than a backdrop.

"D'Iles en Lune" (2019/2020), made during a residency in Saint Malo, was scheduled by the world's highest tides: the sun and the moon deciding when a picture could exist. The pun in the title, 'Îl' and 'Lune,' is the series in miniature: two bodies taking turns pulling.